Navigating Second Generation Memory and Auto/ biography in Home Video. A Video Collection of Hojda Stojka, Son of Artist and Survivor of the Porajmos Ceija Stojka

Navigating Second Generation Memory and Auto/ biography in Home Video. A Video Collection of Hojda Stojka, Son of Artist and Survivor of the Porajmos Ceija Stojka

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This paper investigates home videos Ash Catchers made by Hojda Stojka, the son of Ceija Stojka (1933-2013), artist and survivor of Auschwitz, Ravensbrück, and Bergen-Belsen.Based on a close reading of significant video sequences, a narrative interview with the videographer, and Ceija Stojka’s publications and films, it analyses how the auto/biographical videos relate to the persecution of the parents’ generation.The paper focuses on the importance of spaces like kitchens, cars and stages, on the value assigned to auto/biographical audiovisual recordings, and the recontextualization and integration of photographs and television recordings into the click here family memory.